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June 3: "Lives Nurtured in Disadvantage" LARB Review of Cotton Tenants by James Agee, the precursor to Let Us Now Praise Famous Men.

May 20: "How I Want To Be in That Number," my dispatch from the New Orleans Jazz & Heritage Festival, Oxford American.

My AWP talk at TriQuarterly: "The Psychopaths Among Us: A Three-Act Essay"

New Feature: Recorded Music: Works by TL and Others

Recent Essay: "Writing While Ill: Pathography, Then & Now" Shenandoah

The Seven Categories of Memoir: PDF.

New Work coming from Catamarran Literary Reader, American Book Review, San Diego Reader, and Yale Journal for Humanities in Medicine.

What Exactly Happened: Four Essays on the Craft of Memoir. (Download the Kindle for PC or Mac onto your laptop for free.)

 
Thomas Larson Memoir Writing Workshops
Memoir Writing Workshops

Thomas Larson, renowned writer and memoir facilitator, is available for daylong, weekend, and weeklong workshops. He has taught beginning to advanced classes at the Loft Literary Center in Minneapolis, MN, at Ghost Ranch in Santa Fe and Abiquiu, NM, and at Writing Centers in Bethesda, MD, and Indianoplis, IN. Currently, he teaches in the Low-Residency MFA program at Ashland University, Ashland, OH. He works one-on-one with writers, critiquing and editing manuscripts. The announcement below describes his basic workshop and can be used for advertising and promotion.

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Join Thomas Larson, author of The Memoir and the Memoirist: Reading and Writing Personal Narrative, for a workshop in memoir writing. We begin by discussing the significant differences between traditional autobiography and contemporary memoir. Next we explore memoir’s demanding questions: Where do I begin? What is my focus? How do I discover the emotional truth of my story? How do I write about the living? With numerous writing prompts, we look at the mainstays of the memoir form: truth-telling and self-disclosure; sudden versus long-ago memoir; good and bad therapeutic writing; and the importance of metaphor and myth in the personal life.

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Barber Adagio Book

The Saddest Music Ever Written: The Story of Samuel Barber's "Adagio for Strings"

Pegasus Books, ISBN: 978-1605981154.

Hardcover, September 2010; paperback, March 2012.

A YouTube video of my one-hour "Saddest Music" multimedia presentation at Warwick's Bookstore, La Jolla, CA, Tuesday, November 30, 2010.

Menotti_and_Barber_That_Salzburg_Summer_1936

In the first book to explore Samuel Barber's Adagio for Strings, music and literary critic Thomas Larson tells the story of the prodigal composer and his seminal masterpiece: from its composition in 1936, when Barber was just twenty-six, to its orchestral premiere two years later, led by the great Arturo Toscanini, and its fascinating history as America's secular hymn for grieving our dead. Older Americans know the Adagio from the funerals and memorials for Presidents Roosevelt and Kennedy, Albert Einstein, and Grace Kelly. Younger Americans recall the work as the antiwar theme of the movie Platoon. Still others treasure the piece in its choral version under the name "Agnus Dei." More recently, mourners heard the Adagio played as a memorial to the victims of the 9/11 attacks. Because of its 75-year use at countless memorials and funerals, Barber's Adagio is arguably the saddest music ever written: pound for pound, far more tears have been shed for Barber's work than have been loosened for any other of the great laments in music.

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