Publications
Review: A Free Man: A True Story of Life and Death in Delhi by Aman Sethi Print E-mail
Criticism

free man(Los Angeles Review of Books November 1, 2012)

Let Us Now Praise Free Men

If you're one of the unorganized working poor who inhabit the grimmest parts of Delhi, India, you’re probably a mazdoor, or laborer — late teens or early twenties, male, unskilled. To earn your rupees, you carry bags of cement at building sites, whitewash a staircase, paint a house. If you make enough in one week, you take the next week off. Then, you can eat, drink, and smoke the money away, in part, because there’s not much of it and because the jobs are plentiful; you just have to show up every day by the side of the road at six in the morning. You might work one season, lay off for another, ride the trains or catch a bus for another menial job elsewhere. You’ve been known to leave (abandon, some might say) a needy family, a nagging wife, a brood of children you’ve grown tired of. You might also blow off your birth family, live anonymously in Delhi’s (or Calcutta’s or Mumbai’s) frenzied quarters where no one knows (or cares) whence you came.

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The Shifting Self Print E-mail
Essays and Memoirs

oxam_78(Oxford American Issue 78: August, 2012)

Seven months before September 11, Donald Morrill and his wife, Lisa, endured an invasion and robbery in their Tampa, Florida, residence. Their assailant held them naked for twenty minutes during which they were threatened, humiliated, and locked in the bathroom. Their car was stolen, and the culprit was never caught.

In a ninety-nine-page book, The Untouched Minutes, which won the 2004 River Teeth Literary Nonfiction Prize, Morrill mingles the story of the assault with other violent incidents of that and the following two years: the September 11 attacks, the anthrax scare and murders, the invasion of Iraq in 2003, and the stabbing deaths of two Dartmouth professors, Half and Susanne Zantop. In the same week that Don and Lisa were terrorized, the Zantops were killed so that two teenage bosy could afford a trip to Australia. Their murder runs as a counter-theme throughout Morrill's book, suggesting a horror that might have been, which he and his wife escaped.

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Review: The Guardians: An Elegy by Sarah Manguso Print E-mail
Criticism

manguso_opt(Contrary Magazine July 9, 2012)

Suicides Are Painful

Many who read Sarah Manguso’s first memoir, The Two Kinds of Decay (2008), were in awe of the tale and its teller. At twenty-one, Manguso contracted an autoimmune blood disease that grew into nine years’ of transfusions, paralysis, and depression. It seemed the only way she could write about the debilitation was in short chapters, each a high-wire act that combined medical fact, incisive description, and intense but transient emotion. The terse style seemed to be holding back a floodgate.

Much of the same approach structures The Guardians, an ode on the suicide of her college friend and Platonic companion, Harris. Hospitalized three times for bizarre behaviors and depression, Harris was given antipsychotic drugs. It’s theorized that one side effect of those drugs is the rare akathisia, a kind of psychotic restlessness, which intensifies any driven behavior into mania. Escaping from a ward, the thirty-four-year-old wandered all day then leapt in front of a speeding train.

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Year-Round Santa Print E-mail
San Diego Reader

20120627(San Diego Reader June 27, 2012)

Benito Cristobal is surveying the house he lost last year to a foreclosure defrauder, and he is emotional as he recalls the $30,000 worth of improvements he made to the home. The 51-year-old Mexican-American maintenance man, his son Efrem, a high school senior, silent by his side, steps slowly around what he once possessed, his gestures grand, his voice regretful. He says he got rid of the garden and laid concrete walkways. He covered the ground under the three lemon trees with redwood chips. He bought a new water heater, new windows, gutters. He built a patio with a roof, though he had to remove the roof and saw off the struts once the city discovered the unpermitted structure. He built a low cement-block wall, with a black wrought-iron fence atop, to surround the four 30-foot palms. For seven golden years, this three-bedroom, two-bath, two-car-garage abode was his and his family’s — at least on paper.

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Music, Memory, and Prose: On Joan Didion's Memoirs Print E-mail
Essays and Memoirs

joan-didion(Puerto del Sol Volume 47, No. 1: Summer, 2012)

1)

With the 2003 publication of Where I Was From, Joan Didion began what may be the final phase of her fifty-year-plus writing career—the first of three memoirs, a loose trilogy centering on geographical exile and personal loss that reveal a master composer of prose. Close behind Where I Was From came The Year of Magical Thinking in 2005. Then, at the end of 2011, Blue Nights. This decade-long memoir period caps a Leonard-Bernstein-like run with Didion scoring several hits among a host of genre, each of which overlaps. There's the novel phase: five books, published between 1963 and 1996, among them Play It As It Lays. There's the nonfiction phase: six books, several of which are essay collections, beginning in 1968 with Slouching Toward Bethlehem and ending with Political Fictions in 2001.

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Review: [Sic] by Joshua Cody Print E-mail
Criticism

sic cody(Punchnels June 15, 2012)

One Maniacally Meandering Memoir

A few years ago, I wrote a book about memoir—not a how-to tract, but a what-happens-when an author writes one, its shocking self-discovery, its redemptive journey, akin to most events in life that change us significantly. I posited a term for a new kind of book that eschews a childhood trauma or mom and dad’s lousy parenting but embraces a just-lived drama: a divorce, a fizzled start-up business, a near-drowning in Lake Michigan. My term, “sudden memoir,” means to unpack a not-yet or nearly over relationship or event whose resolution may come about because you’re making a book about it. The mud of it is the point, especially since your subject is not past, and the book, one hopes, circumvents the mythologizing power, the authoritarian nostalgia of remembrance.

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Book Critic Censored By San Diego Newspaper Print E-mail
Articles

CapitalistatLarge(Counterpunch May 25-27, 2012)

My Turn Under the Scalpel

Buy a newspaper and censor its content. This seems to be the policy of San Diego developer and multimillionaire Doug Manchester, who last November purchased the city’s largest newspaper and rechristened it, the UT-San Diego. His editor, Jeff Light has been cutting contributor’s voices left and right.Last Christmas, Manchester, a Catholic, published a front-page greeting, citing Jesus Christ as humankind’s biggest influence. When online readers reacted, many by discussing problems with Catholicism, Light didn’t like what he read, so he closed and erased the comments.In March, Light censored a week’s worth of Doonesbury’s cartoon strip, lampooning a Texas law that forces women to have ultrasounds prior to an abortion.

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